Monday, November 15, 2010

Riverwalk Runner

Runner enjoys an energetic jog through the Riverwalk during the cool early evening hours.

Saturday, November 13, 2010

multiple flash and stroboscopic flash

Multiple flash to freeze the action in the basketball court
at ISO 400, who could imagine?

The Swan Lake Ballet: Stroboscopic flash demonstration.

Monday, November 1, 2010

Lunch with the Los

A few shots from an unforgettable afternoon at the Los, first, from the garden out front:

Flash fun

My friend Paul drinks green tea at Shishas hookah bar off Babcock. I used the pop-up flash and simply bounced it with my hand, being sure to block the front.

Monday, October 25, 2010

Invitation to everyone!

Hello fellow classmates, instructors, and peers. You are all invited to come and check out my blog at: I encourage all visitors to please comment on my postings. Thanks! Rennie M.

Sunday, October 24, 2010

Spurs game with Kin Man Hui

A former Ranger staff now shooting for the SA Express-News, Kin Man Hui offered to bring me along to the Spurs game last Thursday when I-10 rivals the Houston Rockets visited the AT&T Center for the final preseason game.

When I decided to become a photojournalist four years ago while mentoring with the Express-News for a senior project, I dreamed about joining the pros along the baseline of an NBA game. Getting there again with the greater responsibility of an assignment, along with improved abilities and well-earned equipment, remains my goal.

Being a huge Spurs fan, my interest in what I called "newspaper photography" was fueled by watching how close photographers were to the action, providing viewers with images of what I consider the closest level that watching a game can get, without actually being there.

So I parked my car at the Express newsroom, and Kin Man drove over to the AT&T Center. I had no idea about how close to the action, and realizing that my dream job is reality, I was about to get.

I owe enormous thanks to William Luther, who taught me a great deal during my first year, Kin Man and others at the Express-News who helped me get out there.

Kin Man put together a great slideshow on with a few of my pics! Click the photo to view a slideshow of my pics from the night:

Tyler Cleveland/Special to the Express-News

Friday, October 22, 2010

Dr. Lo Supermodel

Dr. Lo looking like a supermodel during the multiple lighting demonstration today in class. Two flashes, with umbrellas, and used the infrared devise outside.

Thursday, October 21, 2010

Donna Deming, associate director of records at left, looks on Tuesday as district police and city emergency medical technicians render aid to an unidentified staff member during an emergency in the office of admission and records in Room 216 of Fletcher. © Rennie Murrell/The Ranger

Monday, October 18, 2010

About posting


Please post photos taken in recent days that shows what you recently learn or discovered. Not digging into your archive and find a beautiful photos.

I see that you guys are overwhelmed by the video and multimedia projects, that is why I did not push you on the blog. I think we will not do the "one theme a week" thing but I still want to see some new postings from each of you every Tuesday. However, I really hate to see archive photos. Show me something that related with what you learned from this class. This is what it means to have a blog.

How about some higher level flash technique for this week? What kind of lighting is this?

Dr. Lo

Wednesday, October 13, 2010


Perhaps the most important tool a photojournalist can master besides basic camera operations is flash. While covering a job fair in the dimly lit Koehler house, I found the need to balance highlight and shadow – to create the most accurate depiction of what was seen – by way no camera and lens alone could:

Tyler K. Cleveland/The Ranger

It was a shoot first, ask questions later situation. A girl walked through the backroom and into shadow, silhouetted by a brighter doorway while creating a reflection of her clothes on the hardwood floor, accentuating her business attire. But it was the man sitting in the front room that begged for additional light to properly illuminate him – and his situation. As he completed an application to help pay for a new house and raise a son, I had the task of creating a compelling visual of “the need for work,” I was also creating a visual of “the need for flash.”

I had to think fast to catch the girl where she stood in the background. Shooting in manual mode and exposing for the silhouetted girl, my settings read 1/125 at f5, iso 800 –optimal settings for the zoom lens I was using. I tilted my flash upward to bounce off the corner of the room so the light could catch the man yet remain contained to the front room, preserving the girls in shadow. The flash unit was set on TTL, which without compensation (set at -3 stops), normally would give out all the light it could in order to remove shadows. I tried the flash on each compensation level, and tilted in different directions, but finally found the best setting. While the final product came out well balanced – I always feel like a better picture goes unmade; we need to leave our comfort zone, try new things and go new places if we want to make it.

If I knew the best place to throw my flash (this was before last Friday's flash tutorial), I would have had a third element that could have turned this picture from good to great. For a moment, a man in a business suit was framed and exposed perfectly through the front window (where the greenery is seen) as he walked up to the house. And the man also lifted his eyes during this time, but my flash was slightly off and burned the front of his face! The girl seeking a job (with reflected attire) could have looked cleaner without the wall’s edge running through her profile!

Experimenting with flash helped me create an image that showed "the need for work,” and for “flash in photography,” but mastering this tool will ultimately help me - get “hired.”

Sunday, October 10, 2010

Harry Benson's talk

Harry Benson was talking about his famous Beetle's pillow fight photo

I admire many great photographers. But I don't necessarily agree with everything they do. I was a bit upset when he said he had recreated a scene which he was not able to capture.

 Tricia was on cloud nine when she had Harry Benson's autograph.
 We have Harry Benson in captivity. He had to have a group photo with us before we let him go.

Tuesday, October 5, 2010

Motorcycle Accident

Tommy Mabry lays dazed on the street after being hit with an SUV at approximately 4:30 PM on Friday, October 1, 2010. The driver of the SUV could have been blinded by the sun due to the position of the vehicles. Mabry's dog sits patiently protecting his master as concerned citizens assist him and his motorcycle. Fire Fighters and Police arrived very soon after the accident. The driver of the vehicle refused to comment but was very concerned about Mabry's condition.

Thursday, September 30, 2010

Quiz on Ch. 12 & 13

The following are things you want to know before you come to the quiz on Friday. The quiz questions will be mainly in multiple choice and some fill in the blank. A total of 10 questions will be asked. It is a close book quiz.

What is “nat so,” in video?

There are mainly 3 kinds of sound recording device in video, what are they and what are their advantages.

According to Ken Kobre (the author), multimedia comes in two basic flavors, what are they?

Which 3 things the book suggests to do to eliminate as much ambient noise as possible during interview?

While interviewing, the author suggests to “ask questions in pairs” or “ask interviewees to repeat your questions?” Why?

What is “platypus” refers to in visual news reporting business?

Photojournalist Travis Fox said still frame grabs from video sometimes do not work well. What situation did he refer to?

What is the difference between “decisive moment” and “decisive sequence”? What do they refer to respectively?

Kim Komenich, photographer of San Francisco Chronicle, compares making a documentary video to writing a symphony. How did he describe that?

Kim Komenich doesn’t suggest zooming while videotaping, why?

What is “motivated zooming and panning”? How should it be done?

Ralf Behrens, a freelance photographer from South Africa, said “One shot is never enough” in video.” What does he mean?

What is “avoiding colliding images on screen”? How do you avoid that?

What is a “jump cut”? How do you avoid that?

Tuesday, September 28, 2010

campus beauty

San Antonio College's beauty attracts everyone who passes by.

Henriette Mutegwaraba

Monday, September 27, 2010

Henry Benson is coming to Seguin

News photo II folks,

World renown photographer Harry Benson is coming to Seguin to give a talk to Texas Lutheran University on Oct. 5 (Tue.) at 7:30p.m.

I am planning to go there. Please let me if anyone interested to go. I will drive there and if anyone need ride, please let me or Trisia know.

Check out Benson's Web site:

Saturday, September 25, 2010

Stroboscopic flash

Not a great shot, but we were limited by a lot of structural and environmental hindrance. We will get better result in a studio or outdoor at night.

Rennie was right. This is formally called stroboscopic flash ("multi" is what it shown on the flash's LCD). As an advanced photojournalism student, you will have to learn how to do this as well as knowing its official term "stroboscopic flash."

Does anyone worked on the audio slideshow yet? I am wondering how the audio sounds like. I don't recall Alison hold that recorder near me. In retrospect, I think I deserve a lavalier on my body too because I spoke and made the noise at the event most of the time.

Sunday, September 19, 2010

The Big Ditch

Before filming my instructional video at the house, my friend Henry and I decided to skate up the recently created Big Ditch down the road. How could I resist getting this massive drop-in on tape? The Ranger and Dr. Lo deserve alot of appreciation for providing the equipment for our training/practice! ;-)

So my personal critique is this: Using a tripod even when I thought it wouldn't be necessary could have made all the difference in zooming (more steadily), and not moving the camera while capturing a scene!

The Big Ditch by Tyler Cleveland/The Ranger on Vimeo.

Our class blog is up!

Welcome to the advanced level of photojournalism.

As I had told you before, I have high hope on this class. You will learn things most beginning photojournalism students do not know.

On the other hand, my expectation are higher. I would like to see higher level of photos coming out from this class.

Like what we have done before. This blog is for all of us to express ourselves and communicate with each other. You will gain a 5% bonus to your final grade if you manage to post at least once every week. I will come up with a theme each week starting from next week. It would be still photo, short video, or slideshow with sound. Something not very heavy but keep you rolling.

Again, I need to mention that I will expect more from you experienced photojournalists. Sloppy works will not gain you any credit.

Last but not least, treasure and respect this public space. Do not post anything unethical or illegal. Avoid personal attack. Anything done for the Ranger should wait until it's first published and be sure to credit the Ranger when posted (e.g. Mary Jane/The Ranger)

Alright, enough preaching. Let's have some fun. Enjoy the sound slide show below: